This is not about virtuosity, in spite of Rothenberg's superb technique.... Other kinds of music might entertain you, cheer you up or pump the blood, but his clarifies the mind and throws your soul wide open.
Rothenberg's (solo) compositions are fortunately a lot more than demonstrations. They are monologues which cast their net improbably wide ethnologically speaking. He is a fluent, comfortable inhabitant of the interesting world he shows us.
- Richard Buell, Boston GlobeRothenberg reconciles an unapologetically cerebral approach with accessibility and emotional expression. No mean feat, indeed.
Hans was a true original - brilliant musician/improvisor, designer/inventor of the daxophone and many unique guitars as well as a beautiful line of fonts. I first saw him at Soundscape in NYC, I'm guessing in 1982, on a double-bill of solo sets with Steve Lacy.
live at the Ann Arbor Edgefest
October 20th 2011
Ned Rothenberg's Clarinet quintet
1st movement (excerpt)
One of the the nicest and most meaningful comments I've ever received on my work was when Thom Jurek of All Music Guide called me 'America's most intimate composer and improviser'.